BOND: Aschan Deli Branding

BOND recently com­pleted the brand­ing and inte­rior design for Aschan Deli. I’m lov­ing the pops of red against the neu­tral color palette and materials.

Matter: 2012 New Year Package

Check out this gor­geous pro­mo­tion that Matter sent to their clients this year: two cus­tom designed note­books housed in a zipper-perforated mailer. Beautiful!

Matt Delbridge: Noble Discord

Great work by Matt Delbridge: pieces designed for Noble Discord, a pro­posed fash­ion show high­light­ing the col­lec­tions of young Bay Area fash­ion designers.

 

Collection: Moody Blues

FOUND: 1. Need Supply Navy Watch (sold out), 2. Farm Ruck Sack, 3. Richer Poorer Socks, 4. Cracked Chroma iPad Case, 5. Ugmonk Percent Shirt, 6. Fleece Flounce Throw, 7. Kate Spade Glossy Garden Clip Earrings.

Commercial Type for Fast Company

This past Fall, Fast Companya mag­a­zine I sub­scribe to and highly rec­om­mend — launched a redesign fea­tur­ing three cus­tom type­face fam­i­lies by Commercial TypeKaiserZizou Slab and Zizou Sans:

Kaiser, a con­densed sans serif in 3 widths designed by Vincent Chan, is used for dis­play and is the pri­mary type­face on the cover. Inspired by 1920s and 30s-era German dis­play type­faces, it is char­ac­ter­ized by tight and reg­u­lar spac­ing, and by a highly sim­pli­fied low­er­case. Zizou Sans orig­i­nally began as Christian Schwartz’s attempt to draw Antique Olive from mem­ory, but ended up with its own dis­tinct per­son­al­ity. Zizou Slab takes a straight­for­ward approach in adapt­ing these forms into a slab serif, result­ing in a sim­ple, per­son­able and com­pact slab serif. These two fam­i­lies are used at a wide range of point sizes for head­lines, cap­tions, side­bars and info graph­ics through­out the magazine.

This month, fast​code​sign​.com also launched a redesign — by Simple.Honest.Work—using web ver­sions of Kaiser and Zizou to visu­ally tie together the offline and online publications.

Both Zizou fam­i­lies will be avail­able for licens­ing from Commercial Type in late 2012. In the mean­time, if you’d like to explore the fonts in use fur­ther, check out this arti­cle to get a closer look.