So long, Texas!

Today I’m tak­ing off after two days jam-packed with cre­ativ­ity. While I’m anx­ious to get back to NYC, I am incred­i­bly grate­ful for this expe­ri­ence. As some­one who is almost con­stantly attached to the com­puter, it was refresh­ing and inspir­ing to take a break and get my hands dirty. I’m hop­ing to bring some of that home with me.

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While I was here I heard a lot of chat­ter about how Design Ranch com­pares to other con­fer­ences. And while I haven’t been to a ton of oth­ers, I can def­i­nitely say that this is an entirely dif­fer­ent expe­ri­ence. It’s much more than a con­fer­ence. In fact, con­fer­ence isn’t really even the right word.

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What makes this so dif­fer­ent? Well, like most design con­fer­ences, Design Ranch show­cases some rec­og­niz­able names in the indus­try. But in this case they’re not at a podium 500 feet away; they’re eat­ing next to you in the din­ing hall and paint­ing along­side you in a work­shop. It gives you the oppor­tu­nity to have real, hon­est con­ver­sa­tions. And while both set­tings have their mer­its, learn­ing from some­one in a class­room set­ting and leav­ing with some piece of art you cre­ated is decid­edly dif­fer­ent from sit­ting in a large audi­to­rium at a lec­ture. It’s inti­mate, hands-on and unplugged.

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If you are in the area (or even if you’re not — while there were a lot of Texans here, I met peo­ple who came from all over the place) I highly rec­om­mend check­ing out the next one, which will be held in 2015. I know I’m going to try to.

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Thanks again Design Ranch! Come and make it!

Today on the Ranch: 04.20.13, Part 2

This after­noon the last group of work­shops were held in one three-hour block. So rather than take one full class, I decided to jump around to as many as I could so I could give you a taste of some of the work­shops I missed.

I vis­ited Tara McPherson’s ses­sion, “Painting Myths, Monsters and Legends”, first. Since I arrived at the begin­ning I was there for her full intro­duc­tion and paint­ing demon­stra­tion, which was really inter­est­ing to see. The theme of the class was “sweet mon­sters,” so the goal was to cre­ate a paint­ing of a mon­ster — which ran the gamut from a grem­lin to a space mon­ster — with some sort of sweet detail.

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Here’s two exam­ples of paint­ings Tara made in pre­vi­ous sessions:

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Everyone picked their mon­sters at ran­dom and then got cre­ative with acrylic on masonite.

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The other work­shops I vis­ited were already in progress, so I didn’t get as much of an in-depth intro­duc­tion to what they were doing, but every­one sure looked like they were hav­ing a great time.

Paul Fucik and Joe Swec’s sign paint­ing work­shop, “Learn and Let Go”, looks like it would have been right up my alley — lots of col­or­ful hand-lettering going on. I’m told that once each par­tic­i­pant fin­ished their let­ter­ing they cut the pieces up and mixed them up with oth­ers’ work to make col­lages. I, unfor­tu­nately, didn’t get to see the result, so if any­one has fin­ished pho­tos of those pieces, send them my way!

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Dirk Fowler’s let­ter­press work­shop, “Print With It!”, also looked awe­some. Everyone seemed to be hav­ing a great time print­ing with a huge vari­ety of wood type blocks and all sorts of other materials.

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I also got a chance to stop by the Axe Restoration work­shop, given by Peter Buchanan-Smith and Nick Zdon of Best Made Company. It’s def­i­nitely a topic that falls way out­side of my day-to-day life, but it’s def­i­nitely inter­est­ing to see how much goes into the process.

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For more infor­ma­tion, check out the Design Ranch site.

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P.S. Ranchers, if you see your­self (or your work) in any of these pic­tures and want me to add your name (with a link if you have one!) in a cap­tion, let me know.

Armadillo Races?

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Yes, armadillo races. Maybe it’s naïve of me, but I had no idea this was a thing. (FYI, it’s def­i­nitely a thing.) But hey, it was a new and dif­fer­ent expe­ri­ence for me, so I took it all in. And I did learn a fun fact in the process: appar­ently every time armadil­los give birth, they always have quadru­plets and they are always four of the same sex. Interesting.

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The rancher on the left above is Michelle Oros, an Art Director at Mason Zimbler.

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This is just one of the many non-art and design activ­i­ties going on over the course of the week­end. Just tonight they’re also host­ing a silent auc­tion and out­door movie show­ing, and there’s been live music and hang­ing out around the camp­fire every night. So if you ever expe­ri­ence cre­ative over­load while you’re here, you can def­i­nitely escape to any one of these activ­i­ties for awhile.

P.S. Ranchers, if you see your­self (or your work) in any of these pic­tures and want me to add your name (with a link if you have one!) in a cap­tion, let me know.

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For more infor­ma­tion, check out the Design Ranch site.