Let’s Talk

When I first posted my Minted chal­lenge favorites last week, I had no idea that the result­ing con­ver­sa­tion would take the course it did. That post gen­er­ated the most com­ments we’ve ever had on any given entry, which made it pretty clear that peo­ple want to talk. So this seemed like the per­fect time for us to start the Let’s Talk series—something I’ve been plan­ning to start for quite awhile—to con­tinue the conversation.

Before I throw in my two cents, let me get this out of the way—I am in no way an expert on copy­right or pla­gia­rism. I have my own opin­ions, but I def­i­nitely have more ques­tions than answers, which is why I’m espe­cially curi­ous to hear what you all have to say.

These days, with most artists hav­ing mul­ti­ple online homes, it’s become eas­ier and eas­ier for those who don’t have ideas of their own to steal from oth­ers. Clearly a huge prob­lem. And it’s a topic that artists are def­i­nitely con­cerned about, as blogs like You Thought We Wouldn’t Notice have cropped up to doc­u­ment this very thing.

But at the same time, it seems to me that we’ve also become hyper­sen­si­tive to poten­tial copy­right infringe­ments. I’ve been see­ing more and more com­ments that go some­thing like, “This looks like this…” with a link to some other piece of art­work they think the posted work has been stolen from. Granted they may be right, but what if they’re not?

When it hap­pens on this blog it puts me in a strange posi­tion. I do my best to post work that is orig­i­nal. But since we are bom­barded with with thou­sands of images every day (from places like this very blog), it’s vir­tu­ally impossible—from a tim­ing stand­point as well as a purely infor­ma­tional standpoint—to trace every sin­gle piece of work’s his­tory. It also puts the artist in a posi­tion where they’re forced to defend them­selves (if they even see the accu­sa­tion) in a very pub­lic forum.

Most recently I’ve seen this in regards to The Social Network movie poster. Half of the com­ments on the var­i­ous blogs where it’s been fea­tured link to pieces of work that look some­what sim­i­lar (see below). And most of the time I sort of see their point. The exam­ples are other layouts—book cov­ers, posters, whatever—that also fea­ture a tight crop of a face under­neath white typography.

Mind you, I’m part of the camp that thinks the Social Network poster is smart, well-designed and eye-catching. Maybe white type on top of a photo isn’t the most orig­i­nal idea. But is it that impos­si­ble to think that another designer arrived at the solu­tion to layer white type over a head­shot with­out con­sciously rip­ping off another piece of work? And don’t the other ele­ments on the page—the Facebook bar etc.—add orig­i­nal­ity to the design solution?

This is just one exam­ple. But I find that the same type of ques­tions keep com­ing up.

Blatantly steal­ing some­one else’s work is always wrong. Being inspired by those you admire is not, and I think this is where the line gets blurry. When it’s not obvi­ous, how can you take a piece of work at face value and know whether the artist came to that con­clu­sion entirely on their own, whether they out­right stole another artist’s work, or whether they were sub­con­sciously influ­enced by the work after see­ing it online?

So how do we pre­vent peo­ple from steal­ing our work and the work of oth­ers with­out being so quick to assume the worst? And where do we draw the line on a piece that is inspired by ver­sus a rip-off? What do you all think?

Beast Pieces + Shine

Studio on Fire just keeps top­ping themselves—case in point, this super fun pro­mo­tional item designed by Shine Advertising spot­ted on Beast Pieces last week. The crafts­man­ship on this 6 color, intri­cate design is just mind-blowing. There’s clearly noth­ing these let­ter­press mas­ters can’t do.

Tall Bike Poster

How fun is this Tall Bike Poster by Barrel NY? They’ve already run out of their first edition—a lim­ited run of 25—but you can pre-order a print for the sec­ond edi­tion, which will be avail­able in a few weeks.

via OMG Posters

Monday Quick Links

Quick Links

Good morn­ing every­one! Before I get to the links, I wanted to note a cou­ple of things. First, the next few weeks will be a lit­tle lighter post­ing than nor­mal. We’ll still have at least one post a day but we most likely won’t be fea­tur­ing the usual 3–4. This also means any sub­mis­sion posts you all are wait­ing on will most likely be delayed, though I’ll do my best to get them up as soon as possible.

Then begin­ning July 19th (when we will be off on our hon­ey­moon!) and for the next two weeks we will be going about post­ing a lit­tle bit dif­fer­ently. I will be draw­ing out some of my favorite fea­tures from the vaults and check­ing in to see what those design­ers, illus­tra­tors and artists have been up to lately. I’ll remind you all of this as we get closer. But dur­ing that time I will also have lit­tle email access, so any com­ments that need approval, emails or sub­mis­sions will likely need to wait until August.

And lastly, I men­tioned last week that I will be start­ing a new series on the blog which fea­tures dis­cus­sion top­ics that will be opened up to you. It’s some­thing I’ve been mean­ing to do for awhile, and now seems like the right time. I had intended on get­ting the post up last week, but unfor­tu­nately that didn’t hap­pen, so the first post in that series will go up first thing tomor­row morn­ing. And depend­ing on the inter­est, we will either repeat the series biweekly or monthly. So look out for that tomor­row, and now let’s get to the links!

Loving these Facebook Like and Dislike but­tons.

Stationery vs. Stationary: one of those gram­mat­i­cal errors that dri­ves me nuts!

Launchlist looks like an awe­some tool to use when launch­ing a website.

Good Reads: 25 Areas of Digital Clutter to Minimalize, Hard Work: What’s It Good For?

Coveting this let­ter­press amper­sand print.

Looking for­ward to see­ing more of this new project from Jessica Hische.

On WordPress? Here’s how to get up-to-date on 3.0.

If you use InDesign you may find some or all of these tuto­ri­als helpful.

Circuit Gallery

It’s great to see so many peo­ple try­ing to get con­tem­po­rary art in the hands of the pub­lic in a more afford­able way. We’ve seen this with 20×200, Tiny Showcase, and oth­ers. And now, Circuit Gallery has arrived onto the scene. Here’s how their site works:

Circuit Gallery rep­re­sents an impor­tant new way of buy­ing and sell­ing con­tem­po­rary art. Our mis­sion and model are sim­ple. We want to make inter­est­ing, sig­nif­i­cant, qual­ity, con­tem­po­rary art more acces­si­ble by mak­ing it more afford­able ($30, $60, $120). We are able to do this by sell­ing the work in rel­a­tively large edi­tions (our edi­tions are gen­er­ally lim­ited to 500). In essence we have inverted the con­ven­tional and more exclu­sive art world for­mula of high prices for small edi­tions or unique objects (need­less to say pro­hib­i­tive for most).

By offer­ing works in larger edi­tions we are able to effec­tively keep the cost of the work low, while simul­ta­ne­ously being a viable and attrac­tive option for seri­ous con­tem­po­rary artists. Circuit Gallery is fun­da­men­tally artist-centered and is con­ceived as a com­ple­ment to con­ven­tional gallery (or dealer) rep­re­sen­ta­tion; an alter­na­tive means to cir­cu­late great work to a wider audience.

At first glance it looks like Circuit Gallery has quite a lot to offer, but these pho­tographs by Alejandro Cartagena par­tic­u­larly caught my eye.



Sebastiaan Bremer

Today I’m enthralled with the col­or­ful, whim­si­cal images of Sebastiaan Bremer.



Color Happy 86

When it comes to illus­tra­tion, Lab Partners are def­i­nitely one of my favorites. So for today’s color happy I thought I’d choose one of their recent illus­tra­tions for Monocle Magazine.